Le Pomme de Caudebec est jaune et rouge
Le Pomme de Caudebec est jaune et rouge
"

Being a broken man himself, Greene knew how to probe the pain and romance of faith and its failed practitioners better than anyone else. Even those of us who never ended up in a prison in Mexico waiting for execution, like the whisky priest in The Power and the Glory, knew what his self-disgust felt like. We knew what Greene was on about when he described the sadness of missing happiness by seconds at an appointed place. A little more self-discipline and maybe our tormented hearts would have ceased tormenting yet. But we also knew somewhere inside that it was our failures that kept us human.

Being a priesthood themselves, great writers understand this better than most. Tennessee Williams knew that if he’d exorcised his demons he’d have destroyed his angels as well. And the poet Ian Crichton Smith understood that “from our weakness only are we kind”. Greene would have agreed with them both. There was human solidarity in weakness, fellowship in failure. That’s why the spoiled priest in his greatest novel was overwhelmed with compassion for other losers. When you looked at other men and women, “you could always begin to feel pity. When you saw the lines at the corners of the eyes, the shape of the mouth, how the hair grew, it was impossible to hate. Hate was just a failure of imagination.” And that had to include self-hatred. In Greeneland, in the end, everyone is forgiven because everyone is understood.

"

My hero: Graham Greene | Books | The Guardian (via ayjay)

By Richard Holloway

(via inwhichidigress)

"

Wer Wissenschaft und Kunst besitzt, hat auch Religion;
Wer jene beide nicht besitzt, der habe Religion!

He was possesses science and art also has religion;
But he who possesses neither of those two, let him have religion!

"
Goethe, Zahme Xenien IX (1796)
"Where else? I belong to a lost generation and am comfortable only in the company of others who are lost and lonely."
Foucault’s Pendulum, Umberto Eco (via lifeinpoetry)
"The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb."
Umberto Eco, The Name of The Rose (via cosmichumor)
"

The priest dragged himself towards her on his knees.

‘I beseech you,’ he cried, ‘if you have any heart, do not repulse me! Oh! I love you! I am a wretch! When you utter that name, unhappy girl, it is as though you crushed all the fibers of my heart between your teeth. Mercy! If you come from hell I will go thither with you. I have done everything to that end. The hell where you are, shall be paradise; the sight of you is more charming than that of God! Oh! speak! you will have none of me? I should have thought the mountains would be shaken in their foundations on the day when a woman would repulse such a love. Oh! if you only would! Oh! how happy we might be. We would flee—I would help you to flee,—we would go somewhere, we would seek that spot on earth, where the sun is brightest, the sky the bluest, where the trees are most luxuriant. We would love each other, we would pour our two souls into each other, and we would have a thirst for ourselves which we would quench in common and incessantly at that fountain of inexhaustible love.’

She interrupted with a terrible and thrilling laugh.

‘Look, father, you have blood on your fingers!’

The priest remained for several moments as though petrified, with his eyes fixed upon his hand.

"
from Notre Dame de Paris by Victor Hugo (via melusines)
ZoomInfo
sillylittle-ninnynoddle:

Original illustrations by Sir Samuel Luke Fildes for Charles Dickens’ The Mystery of Edwin Drood.
More here
sillylittle-ninnynoddle:

Original illustrations by Sir Samuel Luke Fildes for Charles Dickens’ The Mystery of Edwin Drood.
More here
sillylittle-ninnynoddle:

Original illustrations by Sir Samuel Luke Fildes for Charles Dickens’ The Mystery of Edwin Drood.
More here
sillylittle-ninnynoddle:

Original illustrations by Sir Samuel Luke Fildes for Charles Dickens’ The Mystery of Edwin Drood.
More here
sillylittle-ninnynoddle:

Original illustrations by Sir Samuel Luke Fildes for Charles Dickens’ The Mystery of Edwin Drood.
More here
sillylittle-ninnynoddle:

Original illustrations by Sir Samuel Luke Fildes for Charles Dickens’ The Mystery of Edwin Drood.
More here
"‘Rosa, even when my dear boy was affianced to you, I loved you madly; even when I thought his happiness in having you for his wife was certain, I loved you madly; even when I strove to make him more ardently devoted to you, I loved you madly; even when he gave me the picture of your lovely face so carelessly traduced by him, which I feigned to hang always in my sight for his sake, but worshipped in torment for years, I loved you madly; in the distasteful work of the day, in the wakeful misery of the night, girded by sordid realities, or wandering through Paradises and Hells of visions into which I rushed, carrying your image in my arms, I loved you madly.’"

“The Mystery of Edwin Drood”, by Charles Dickens. Chapter 19, “Shadow on the sun-dial”

Full text:http://www.online-literature.com/dickens/edwindrood/

"There exists in this era, for thoughts written in stone, a privilege absolutely comparable to our current freedom of the press. It is the freedom of architecture."
Victor Hugo, the Hunchback of Notre-Dame (via frombaghdadwithlove)
"I wanted to see you again, touch you, know who you were, see if I would find you identical with the ideal image of you which had remained with me and perhaps shatter my dream with the aid of reality."
Victor Hugo (via decaying-organic-matter)